Madam Chief Minister Movie review

‘Madam Chief Minister’ Review: Richa Chadha powers this unpredictable political drama

Director: Subhash Kapoor

Cast: Richa Chadha, Manav Kaul, Akshay Oberoi, Saurabh Shukla

Release Date: 22 January 2021

 The trailer for Richard Chada's upcoming film "The Lady of the Chief Minister" was broadcast on the Internet on Wednesday. In the political drama, Richard Chada appeared with unprecedented vision. She plays the role of a political leader, and she is ready to take over the world for her people. The trailer shows how a young woman from a small village (played by Richa) can break into the political world by breaking the caste system and patriarchy. She overcame the obstacles set by her opponents and became the chief minister, working hard to improve the status of backward classes and women. Throughout the trailer, you can see Richard Chada with short hair.

When sharing the trailer, Richard Chada wrote: "This revolution has just begun. The work of the wife of the Chief Minister is directed by Subashi Kapoor, who is known for being at the helm of Jolly Loeb, and is written by Buchan Ku Maru, Krishan Kumaru, Naren Kumaru and Dipur Halbanda. This film is also produced by Sorab Shukla, Manaf Kaur and Akshaye Starring Oberoi.

A few days ago, Richard Chada shared the first poster of the movie. In the poster, you can see her holding a broom in her hand and a strong expression on her face. The slogan on the poster read: "Untouchable, unstoppable. Richard Chada shared her first look from the movie. She wrote: "I am very happy to show you my new movie #MadamChiefMinister, a story about a "Untouchable" political drama, he hastily shines in life!

What is more puzzling than politics is what Indian actors and filmmakers play with. This trend is not new, but recently, it has brought strange challenges to film critics. Looking back on Tadaf last week, I once called Ali Abbas Zafar's web series "moderate and lightweight". So gentle, in fact, it has now drawn four FIRs and caused unprecedented deletion scenes. Will the Chief Minister’s wife — Richard Chada starring as a Dalit politician in Uttar Pradesh — suffer the same fate? Let me come back in a week.

Subashi Kapoor’s movie began on the same night that a Dalit was shot and his daughter was born. This girl-the fourth in a row-was rescued from the infanticide by her mother, who accepted her as the will of God. Tara (Richard Chada) showed rebellious stripes from the beginning-cropped hair, sharp tongue, clumsy bicycle. Her relationship with an emerging student leader (Axhai Oberoi) ended because of her caste and refused to marry her. Tara rebels, but is brutally attacked.

It is here that the film stops beating in the bushes, confirming that Mayawati is parallel to the arrival of Saurabh Shukla, Saurabh Shukla, a Kanshiram-like figure who saves the tower Pull to make her his disciple. Subashi produced the small cricket movie "Indian Salam" in 2007, and he used the sports movie template to serve the rise of Tara. This led to an embarrassing montage, where she trained-not in New Yorkers and drives-but Marx and Ambedkar.

Her performance on stage is like a cricket player: gestures follow the swing of a lively speech. When Mastji shuddered to form a coalition government with the despicable but convincing Arvind Singh (Subrajoti Barat), it was Tara who convinced him to take the leap. Soon, she won the election and was presumed to be the new CM. Mayawati’s rule was determined by the Bahhujan movement in the north, but there were also scandals and corruption under her accusations.

The film loosely incorporates this by trying to portray the complex picture of Tara. The leaders of the fire brand proved to be ruthless and cunning-often shamelessly. In one scene, she threatened to transfer an official who crossed her wound, especially close to the bone. Once she becomes a Cm, her Dalit identity will shrink from the story—except for the temple entry sequence in the trailer, the movie does not deal with caste politics any further.

Because Oye is lucky! Lucky Oye (2008), Richard has always been a thrilling actor on the Indian screen. However, recently, her bid for the lead role came at the cost of script strength. Shakela and the wife of the chief minister are both minor and superficial works. They tend to Richard's brave public role, but don't reward her with enough feed. It makes you miss the old days, when even the surrounding Richard can electrify the entire movie.

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The wife of the Chief Minister is the story of a girl who rose from an unknown to the most powerful woman in Uttar Pradesh. Tara Rupram (Richard Chada) was born in a village in Uttar Pradesh in 1982. On the same day, her father Rupram (Muktshwar Oja) was killed by a member of the high caste. Tara's grandmother, anyway, she was upset about her birth because she was the fourth daughter in the family, and she was very angry when she learned of Rupramu's demise. She accuses Tara of being responsible for the tragedy and is preparing to kill her. But Tara's mother (Sima Modi) prevented her from doing this. Many years later, Tara grew up and worked as a librarian in a university. She is physically related to Indramani Tripati (Akshayi Oberoi), a political heir and a politically active student at the school. One day, Tara told Indramani that she was pregnant and she wanted to marry Indramani. Indramani made it clear that this is impossible due to caste differences. He advised her to abort the baby. She refused and threatened to expose him. When she was working in the woods, his mob attacked her. However, she was rescued by the people of Master Surajban (Sorab Shukla), who belonged to the Parivartan Party of India, which fights for lower castes and oppressed people. Tara thanked the master, she began to live with him and even worked for his party. She quickly began to deal with political issues. Some time before the state elections, she suggested that Master form an alliance with Arvind Singh (Subrajoti Bharat) of the Vikas Party, who had established a political partnership with Master. The master sent Tara to see Arvind Singh and convinced him of the term of the master. Tara succeeded. Tara accepted the challenge when no one was ready to hold an election with the current Cm. She left a deep impression on the military government with their fiery speeches. She also pretended to attack herself to win sympathy. All these reasons helped her defeat the current MPs in the election. According to the terms of the alliance, the candidate of the Parivartan Party of India will serve as chief minister for the first 21 to 2 years. The members of the party chose Opkuswaha (Sangam Baguna) because of his qualifications and political experience. However, Master rejected this decision and made Tara the chief minister. She moved to the huge residence of CM. She let her mother stay with her, and she was obviously proud of Tara's achievements. At the same time, her OSD (Special Duty Officer) and Danish Khan (Manaf Kaur) informed her that the Vikas Party judicial assistance personnel selected by Vikas Singh were serving in the cabinet. They are all close to Vikas, as friends or family members, one of them is nothing more than Indramanitripati! Tara is angry that the person who tried to kill her became a cabinet minister. She tried her best to ensure that he would not get the post of minister. What happens next constitutes the rest of the movie.

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The story of Subashi Kapoor is promising in some ways. After RAAJNEETI [2010], we have not really had a fictional political film. It is commendable that the author has studied well and managed to come up with some interesting sequences, many of which are based on common political strategies such as evil political alliances, horse trading, etc. But Subashi Kapoor’s script is not completely fair. There are some fools in the first half, which people tend to ignore, which benefits many of the benefits in the movie. But in the second half, these penalties were amplified and affected. Subashi Kapoor’s dialogue is realistic and sharp. However, the buzzword "Lord Tumharihun" used by Tara in his speech could have been better for thinking and more violent blows.

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Subashi Kapoor's direction is very special in some places, but other than that, it is quite pale, especially compared to his past movies. Surprisingly, from the beginning, the movie moved too fast, which is not the real Subashi style. At first, people felt great, because a fast-paced narrative also meant a better narrative. However, in the process of rushing to deal with things, the director skipped some developments, which confused the audience. For example, why Tara did not continue to be pregnant, when she changed her mind, was never depicted. Secondly, Sundar (Boloram Das), a member of the Master Party, committed a heinous act of betrayal. Sadly, his track was completely forgotten in the second half. The ending seems a bit sudden. Ideally, manufacturers should reverse the chronology. The poison bit orbit should follow the horse transaction sequence, because the latter is quite powerful. If the movie ends with this action-filled track, the impact will exist. Sadly, the reverse is also true. Therefore, a fantastic sequence is followed by a disappointment, and therefore, the audience feels less impressive when they walk out of the theater.