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x-men all parts movie Review

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For a film that is considered to be the pinnacle of X-Men from the 20th Century Fox Company (20th Century Fox) for nearly 20 years, the amount of hype is surprising. This is in stark contrast to "Avengers: The Ultimate Game" (not a pun), which is almost the biggest movie of all time. But fans of the "X-Men" series can breathe easily, because Disney's takeover of Fox means that

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Marvel Comics can now revisit it and have the possibility to integrate it into their common world.
The writer Simon Ginberg, who has participated in the shooting of "X-Men: Last Station" since "X-Men: Last Station", he chose to take charge of "Dark Phoenix", claiming that he wants to advance

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this in a bold way Filming. Fortunately, this is a promise, and he did it to a certain extent.
"Dark Phoenix" opens with a traumatic event of Jean Gray (Sophie Turner) childhood and her first memory of Charles Xavier (James McAvoy). The first half established Jean's backstory and recorded the unfortunate accident, which led to a chaotic and powerful and turbulent phoenix.

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The usual suspects have appeared. The first class of Professor Xavier, namely Raven Darkholme/Mystique (Jennifer Lawrence) and Hank McCoy/Beast (Nicholas Hoult), led the young recruits Ororo Munroe/Storm (Alexandra Shipp), Kurt Wagner /Nightcrawler (Kodi Smit McPhee), Peter Maximoff/Quicksilver (Evan Peters), and Jane's love interest Scott Summers/Cyclops (Tai Sheridan).

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Not consistent in the second half, introducing an alien race, De Barry, hoping to control Jean and her power. Jean is slowly losing control and gradually becoming a threat, not only the X fighter, but also the earth. After seeking advice from Eric Lanesher/Magneto (Michael Fassbender) and being rejected by him, Joan fell into the promise and devotion of De Bari leader Vuk (Jessica Chastan).
Charles Xavier's past mistakes made this dark phoenix possible to turn everything behind her into ashes.

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"Dark Phoenix" has many interesting moments, special effects make Jane's "Phoenix Incarnation" come to life. What is even more regrettable is that, apart from looking scared or angry, the writers hardly do anything to Sophie Turner. In a film that is considered a story of origin, the script hardly explores Jean Gray’s tragic background, and you have never felt any connection to this character. It's so tiring to see that another superhero has no identity other than their ability.

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"Dark Phoenix" is Ginberg's directorial debut, he strives to maintain continuity, especially in the second half of the film. Considering that the entire ending of this movie was found to be too similar to another movie ("Captain Marvel" with aliens as the protagonist and fierce battle in space), it can be forgiven to some extent. Unforgivably, the lack of background stories about the evil alien race is disturbing. They are there without explanation.

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As we briefly mentioned before, these effects are the life-saving grace here. "Dark Phoenix" is a visually beautiful film with a convincing and stunning view of space (there is a cool-looking "sun flare" scene). The production value of this film is first-rate, purely because of its spectacular scenes, it is almost worth a visit. Nonetheless, the restart of the series is still in a downward spiral-although not as good

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If "Dark Phoenix" feels like the lowest point of a sensational movie in the 21st century, it is not because it is the worst movie of its kind-hell, or even the worst movie in its series. -But because it may be the only $200 million movie that has no obvious reason to exist. A tacit agreement was signed between Hollywood and the audience, stipulating that film studios and ticket buyers will spend too much money sitting in a dark room, and no one can see the boundaries between art and business, thus maintaining the film industry’s development of. The brazen and meaningless senselessness of the twelfth movie in the legend of "X-Men" is nothing more than a direct breach of contract; it is like watching a superhero movie with lights on.
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"Dark Phoenix" is not the first eventless movie in the era of a large franchise, but this movie is different-it is a senseless perfect storm. This film not only fumbled the baton between generations, failed to advance the main story of the series in any meaningful way, but it also seemed difficult to try. It not only destroys the iconic narrative arc of the source material, but also flattens it as much as it can. Not only did it waste a good cast, simplifying all the characters into a basic structure, but it also put them under the mercy of a first-time director who didn't even know how to make them look cool.
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However, there is no doubt that the most abominable part of "Dark Phoenix" is that it makes people think that this is the film behind the 21st Century Fox (RIP) hired charter Simon Kinberg: safe, unreal, Moreover, even child-friendly cartoons dealt with these powerful ideas without fear. Today, the diluted blockbuster is a dime and a dozen, and this one has at least a decent punch time of less than two hours, but there are some particularly serious and epoch-making things. Watch an undead franchise try to force a story through , Depending on the prospect of resurrection.
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"Dark Phoenix" starts with death, which is the first of many scenes, these scenes are very similar to the scenes in other better superhero movies earlier this year. It’s 1975, a red-haired girl named Jean Gray sits in the back seat of her parent’s car and unconsciously uses her psychic abilities to change the radio station (appreciate the two bars in The London Werewolf, because From there it is downhill). Faster than you think! "Xiao Qiong showed her strength face to face and caused a fatal accident, which would trouble her as an adult. Although it was annoying to see another movie that opened in a car accident, Ginberg and his stunts/ The stunt team is commendable, because they staged a car accident that is full of touch but not indulgent, and the scars are enough to overshadow the rest of the plot.
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When the movie jumped to 1992, Jane (again, played by Queen Sophie Turner of the North) had become one of the most reliable seniors at Xavier’s School of Genius Juniors, where she continued to assist the school’s eponymous principal, James McMean James McAvoy has devoted his life to establishing lasting harmony between powerful mutants and people who fear them. Everything is going smooth! The X-Men saved the world enough time for the public to treat them as a need rather than a threat—the president even had a cute little “X” phone in the Oval Office—although Charles admitted his The same kind "only one day away from being an enemy again." ("Dark Phoenix" proposed that marginalized people were granted conditional privileges, but when the "bad day" finally arrived, all the talk about the detention camp was transferred to The deepest part of the background.)


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Personally, Jane also seems to be in a good place. On the one hand, she is getting closer and closer to Scott Summers (Tye Sheridan), and his permanent laser eye is particularly hot for her; the two charming people in their 20s are reconciled except for the big house Outside the cheekbones, there doesn’t seem to be much in common, but Ginberg’s script assumes that most people have watched these movies enough times and will not stop there. On the other hand, Charles used his brain superpowers to “scaffold” Joan’s broken heart together, protecting her from memory (or even basic knowledge), everything she did to her parents when she was a child.


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This sounds like a reliable solution, and terrible mistakes are impossible! Of course, even a genius can be an idiot. There is an indescribable human nature in the idea that one of the smartest people on this planet may still hurt the people he loves. This wrong effort is to protect them from Hurt yourself. The critic was reluctant to accept the fact that Charles was so disoriented in his own simple metaphor that he forgot how scaffolding was temporary by definition.

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Alas, "Dark Phoenix" has little interest in meaningfully questioning Charles' means of mission. Ginberg couldn’t bear to think of this as a story of a man trying to minimize a woman’s emotional experience, so the questionable morality of the professor was only to anger his most powerful student as a dangerous space mission At the end, Joan was absorbing a raspberry-like vortex of the universe's stench, and her memory poured back in decades of rage.
Instead of considering the potential disgust in Charles’s behavior, Ginberg in a daunting tacit scene where Raven (again played by an unapologetically boring Jennifer Lawrence) treated the unpopular professor Said that he should consider calling them "woman X". Although the entire climax of "Dark Phoenix" was re-enacted to avoid similarities with "Captain Marvel", they still insisted on the two films that through a series of empty gestures, girls can be effectively expressed power. "My emotions make me strong!" Jane declared, but this dialogue does not resonate when speaking to a character who is completely defined by her superpowers. What emotion is she talking about? We can only guess.
At least "Captain Marvel" boasted of a compelling ethnic alien "villain" who complicated the drama, rather than stifling it. When a group of deformed aliens came to earth, borrowing Jessica Chastain’s body and dyeing her eyebrows as white as a wig in a particularly cruel way, the “Dark Phoenix” came first The ominous energy collected in the curtain began to drain. (Has the Milky Way learned anything from the cosmetic atrocities in the first "Raytheon" movie?) Chastain is as good as ever, but her character is so low-key that you can hardly remember her name. IMDB said yes... wooh? why not. Either way, this villain is just the devil on Jean’s shoulder in the second act, and a villain that will allow her to fight in the third act. Most importantly, Vuk is a good excuse. It provides a background for Charles’s intellectual games and supports some standard aliens’ nonsense about playing God.
Strangely, the last episode of this movie was filmed on a galloping military train, which is the only fascinating action in the movie, because Kodi Smit McPhee got an excellent killing effect, while the magneto (Michael Fassbender, he must have also participated in the movie) There is also some fun in metal. This is not enough to make up for the dullness of the previous battle, or when Fassbender and Turner carried out remote control for the spiritual control of the helicopter, they had a very stupid point, but they did not provide it until the moment. In a memorable movie, the last minute scene is hard to take for granted.
This is not like any of the "X-Men" films previously produced by Ginberg can make a great contribution to the development of the film, but their best moments dare to hint at the subversive power they want to represent These superheroes enter the real world. The magneto and his half-naked minions flew into the Auschwitz concentration camp, destroying its memory, and remains one of the most dangerous and exciting problem events in any modern blockbuster, as it transcends the usual expressions of superhero movies The simple cliché of the character's trauma.
On the other hand, "Dark Phoenix" is designed to avoid pressing any buttons. Or do many other things. It just happened, not even the movie itself seemed to know why. "Dark Phoenix" promises that the X-Men will be resurrected from the ashes-let Gray be reborn from his own pain-but it is useless to hold your breath to create a miracle; the whole series feels like it has been buried.

                                                                             

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