Mera Fauji Calling (2021) Hindi Full Movie Review

Mera Fauji Calling Movie Review : A half-hearted attempt at showcasing struggles of the soldier's family

What Is the Story Mera Fauji Calling  

Story: The story revolves around the struggle of the families of the martyrs to cope with the tragedy in life.

Comment: "Mera Fauji Calling " is the story of an officer Rajveer Singh (Ranjha Vikram Singh), and his family—wife Sakshi (Bidita Bag), 6-year-old daughter Aradhya (Mahi Soni), and mother (Zarina Wahab)— live in the rural area of ​​Jharkhand. One fateful night, Aradia was traumatized after a nightmare. She suffered from post-traumatic stress disorder (PTSD). Unfortunately, the heartbreaking nightmare of her father's death came true, and her mother and grandmother hid their pain because they didn't want Aradia to relapse. When they all lost hope, then came their guardian angel Abhisit (Saman Josh), who spread the positive around them.

The film by writer and director Aalyaan Saxena may sensitively deal with the emotional chaos experienced by the families of Indian Army soldiers, but due to poor execution, the film became quite disappointing. The first half of the film is very slow, and it even takes a long time to consider the plot with consistent composition. However, the second half accelerated the pace, and the script began to become a little emotional.

The songs-"Mera Aasman Hain Papa’ and ‘Aa Zindagi Tujhe Zara Sa Jee Toh Lu’—go the narrative is very smooth, and the lyrics are also very good Attractive.

Ranja Vikram Singh (also one of the producers) plays the key role of an army officer Rajville Singh. His romantic scenes seem to be more realistic than the action sequences he choreographed. Viditabao has great potential and the right to get all her emotions: whether as someone who has lost her husband or mother, she always keeps a cheerful face in front of her daughter. Newcomer Mahi Sony has left an impressive mark with her innocent looks and diverse emotions. Sharman Josh even felt his presence in the supporting role of Abishek.

In short, "Mera Fauji Calling " is a story of human interest. Despite its obvious flaws, it still left an impact.                                                                          

If it is only the most important criterion for judging the value of a movie, then a movie about the families of fallen soldiers dealing with loss and grief, "Call of Mela Fudge" will be regarded as an extraordinary effort. It took an unusual approach to the theme of war and martyrdom, moving the focus away from the heroes on the battlefield and guiding it to those left behind by the killed soldiers.

One of the main shortcomings ofMera Fauji Calling, in the theater today, stems from the conspiracy it needs to resort to. The overall quality of film production is also very ordinary. Despite the impeccable photographs of the photographer Subrancho Das, the excellent performances of Sharman Josh, Vidita Bagh, Zarina Wahab and the newcomer Mahi Sony Did not reach any alarming distance that might be considered above average.

Part of the story is told from the innocent perspective of a little girl, and the other part is told from the perspective of a wife who has lost a loved one. It's one thing to show the bravery of soldiers who sacrificed their lives in the performance of the mission-absolutely for this-but is it necessary to support the old notions of patriarchy? A girl misses her father, a woman pines for her husband, and a mother grieves for her son. We have three women on the screen, but we are not allowed to forget that the missing man is the most important person.

This film wants to emphasize the meaning of accepting tragedy and moving on, but it seems to thrive only because of the obsessiveness of the past and the endlessly bored characters. Mela Fudge's emotions on the phone are easy to understand. Unfortunately, the dialogue written by the film's screenwriter and director Ariaan Sacsena is too simplistic when not completely stilted.

Just one example: "Jab tum kisiki khushi ban jaao toh gham apne aap door ho jaata hai (when you become the source of happiness for some people, you dispel your own grief)," one character said to another character, the clinician of a consultant air. Sounds full of meaning? This is actually a very superficial way to sympathize with someone who has just lost a loved one in the war.

An army officer, played by one of the filmmakers (Ranja Vikram Singh), is a key figure. However, his military merits are not the center of the story. It was his absence that drove Mela Fudge's call, both when he was alive and when he died. When he is in the mud of action, he speaks to assert that his love for the country keeps him going. When he was no longer, a senior military officer (Shihir Sharma) visited the soldier's mother and praised her for her courage and sacrifice.

The plot mainly depends on a schoolgirl, Mahi Soni, who saw her father fall ill after being hit by a bullet in a nightmare. The doctor told her family that the girl had post-traumatic stress disorder (PTSD) and needed to be handled carefully.

  

                                                                  

Her mother Sakhi (Vidita Bagh) and her grandmother (Zalina Wahab) live in the countryside of Jakhand and do everything they can to eliminate her fears. The girl's hunch, the prize without guesswork, came true. Three generations must deal with the son/husband/father who died in the terrorist attack at the Uri Indian military camp. The two older women concealed their pain because they did not want Aradya to relapse.

In the TV studio, an anchor asked a news reporter why the family of the deceased did not appear in the news. She was told that the entire village had decided to pretend that Lieutenant Rajville Singh was not dead, and therefore chose not to disclose the news.

The second half of "Summons of Mela Fudge" turns attention to a mysterious stranger (Sharman Josh) who strayed into the lives of Sakhi, her mother-in-law, and Aradya. He was involved in an ongoing trick aimed at protecting the last person named from trauma. This part of the movie will at least strain the credulity, until the man’s behind-the-scenes story is revealed, explaining why he is him.

The film begins with drone footage of a car driving on a forest road. Followed by the sound of fading out and crashing. The next shot was a shot of a car overturning. The background and consequences of the accident have not been announced until later in the film.

After school starts, we enter a rural home in the middle of the Diwali celebration. Sakhi lit a firecracker to show Aradia the impact of the explosion. He was chopped into a grenade on the front and exploded there. When Sakhi’s husband, Lieutenant Rajville Singh, did not fight, he had time to call his wife-hence the title of the movie-to tell her how much he missed her. And the rest of the family.

Somewhere along the way, we learned that Lieutenant Singh went home for a month every April, when they celebrated Diwali and Holly. Then, on Aradia’s birthday, the bad news came, and the shocked mother and distraught grandmother hid their tears to protect the little girl from shock.

Aradia was told that her father had been promoted and that he had moved to the place where God lived. The girl believed that the information was true. She went to find God's home, lost her way, and was finally locked in a hut in the forest. The rest of Mera Fauji Calling  depicts a family learning to accept the end of death.

Mera Fauji Calling  several battle scenes, one eager to flash back to reveal domestic happiness, and the other dedicated to an open sequence of car accidents, but in the end it is to face the human dimension of war. In this sense, the video dialed the correct number and conveyed a meaningful message.