LSD - LOVE, SCANDAL AND DOCTORS SEASON 1 Web Series REVIEW

 ‘LSD - LOVE, SCANDAL AND DOCTORS’ Review: A HEALTHY DOSE OF ENTERTAINMENT AND INTRIGUE

                                                                                  

What Is the Story About?

A patient was murdered in India's top hospital, and a group of young medical interns were investigated by the police. However, in the hookup, heartache, insecurity and complex complexes, these upcoming doctors are more at stake than their careers.

REVIEW:The murder love, scandal and doctor or LSD that happened in a place that should save lives began with this ironic transition, and didn't let go, throughout 15 quick episodes. Five young and beautiful medical interns are trying to cover up the murder of the patient Pulkit Makol by an inspector. However, as the play develops in a fanatical nonlinear script, recording the turbulent lives of these doctors in the past six months, it unravels every dramatic plot twist that people can think of. Therefore, it is even difficult to keep up with the complexity of the characters, their relationship status, childhood history, motivation and sexual behavior. Capturing in the limited environment of a hospital is an ambitious scale, but the urgency to deal with it is commendable. There are almost no dull moments, because the needle of doubt has been hovering on almost everyone.

Although the continuous accumulation of suspense is the climax of the show, most of the busy scripts did cause losses. For one, there is too much mixing between advanced documents and interns (Lagre's anatomy), some of which feel compelled. Manufacturers are so concerned about their personal affairs that there is almost no room to display real medical supplies. Some jargon, thrown out and carefully designed hospital settings from time to time, remind us that this one is indeed a program about doctors. Unnecessarily loud background scores, unnecessary abuse and the constant back and forth of the timeline could have been avoided, considering that there are already so many suspense and dramatic narratives. The last-minute dubbing issue was distracting.

                                                                                           

Rahul Dev, as the outspoken hospital director, Dr. Rana, is an appropriate actor, as are most others. The writers (Palji Malhutra and Prakritti Mukherjee) ensure that their roles are young, but not weak. Punit J Patak is a good form of Inspector Tavish Singh, but only if he is serious. His attempts at comedy and satire are unremarkable. Among the male protagonists of the show (Ishan, Sidhas, Tanaya, Sristi, and Ayush), women have high scores, and men often just quarrel with each other. The rock brotherhood of Ishan (as Dr. Cutik) and Sidhaas (as Dr. Vic) is overstretched, making their frequent confrontations and frustrations quite boring. Pulkit Makol plays Asif, a drug-addicted wife beater, in a ham festival. Among women, Tanaya shines with Dr. Sara's light, she is straightforward and sharp. Neha Hinge and Ashmita Judge are equally impressive as senior residents, Chitra and Sam, for their powerful female roles.

In general, LSD is quite high adrenaline, with young doctors in heat. With a healthy dose of entertainment and intrigue, this one is worth a try.

                                                                                      

The web series also marked the digital premiere of the famous choreographer Puit J Pathak, who played the role of a witty and brazen policeman in the show. Speaking of the plot, well, it must be distorted and layered. In the beginning, five interns at a famous hospital tried to cover up the crime they had committed together-the murder of a patient. Then, it dives into various other sub-pictures of love, desire, recovery, sexual orientation, friendship, hatred, etc. How did these five interns discover that they were involved in the investigation and how they came out of the investigation. Who betrayed who in the team, who betrayed in the end is the real killer!

What’s different in LSD - LOVE, SCANDAL AND DOCTORS SEASON

I would not say that the plot is boring. This story has meat, and if presented in a clear and logical way, it would be a decent murder mystery. However, the director who worked on the show (yes, there was more than one) lost control, so it seemed all scattered and unnecessarily long (it had 15 episodes, which could have been easily cut to 10 episodes). And, despite so many plots, there is no character building for actors. A word of warning-the first few episodes will test your patience, they really do

Here, the extension of LSD is different and there are fewer sexual aspects. Here is a bit of Gray's anatomy-there is a group of interns in the top hospital between university and medical admission: competition and hug. This sets the language of the show, medical metaphors, and compulsory mentions of diseases, in which boxing ring fights are suspended to mark a broken bone (clavicle, femur, etc.). But the structure of "Love", "Scandal" and "Doctor" is closer to the first season of "How to Stay Away from Murder". Both start with murder and spend half the time building it by flashback, and the other half by flashback. It, and spent the other half, unlocked the investigation and mental wear after the murder.

                                                                                         

I won't bother for this anymore: the comparison stops here, because there is not much gray space here, and the two Sanda Sims above show intoxication. This 14-part series is not an excellent TV, but it can undoubtedly attract viewers. It can be said that ALTBalajiism is all here-with clumsy, awkwardly tortuous dialogues, the clamor of male rights, monologue feminism, tragic weirdness, and distorted crude characters who transcend logic and repair plots. ("The complete atmosphere of the Bazigar movie genre of the 1990s. Distorted standard distorted, Benchode," as a character said kindly. On the bright side, there are childhood traumas. It is very important for creating a body. The immersive world, the arduous medical internship experience is not interested, but it is only interested in making a vague background. The key is confusion, investigation, and quota calm. (One of the characters rhymes her temptation, "No, if, not But, knowing that I am your slut," just call the lover their "Sukon", who gave them "Galvari feel". What worked best in all the chaos is that the series did not ignore Its original problem-the pursuit of the murderer.

The interns are "Mumbai-Chi-Morji", the over-smart Sara (Tanaya Sahdwa), the conservative Rahima (Srishti Lindani), the lively and indifferent card Bill (Ayush Shrivastav), Privilege Top Katic (Ishaan A Khanner), and his fickle side kick Vikramjit (Sidhas Menon) . They are all in charge of Chitra (Neha Hinge), who is also Katic's sister. Katic and Chitra are both children of Dr. Rana (Rahul Dev), the dean. The wave of nepotism is endless. Love is found between each character. Their tortuous affairs cross the boundaries of workplace etiquette. For the human resources department of the hospital, this is a collective nightmare.

This murder was caused by Rahima's abuse of her husband Asif (Pulkit Markor). Everyone has the intention of murder, not only because he is a terrible person, but also because he stains every interns and may ruin their lives. He was called "drug cancer" and spread through the Internet of friends and colleagues in the workplace until everyone wanted to prescribe him. The investigation was led by Tavish Singh (Punit J Pathak), whose fashion work in Delhi police was based entirely on conjecture, conspiracy and cold calls.

                                                                                

These 14 episodes are a little drag on the point. A little later, because as a viewer, you are clues to the twists and turns of writing, if someone is suspected of being a murderer in episode 9, you know that the theory in a plot will open its head. Just like friendship and battle-they are as changeable as sticky. These relationships have no pornographic similarities with some Alt's previous convictions. I hope that complaints about bad sex don't let them cut off sex completely, instead of investigating the appearance and lighting of good sex.

However, the worst offender in this series is its ending, just coming and going without narrative catharsis. This may be a sign that the series itself is not taking its characters seriously, just letting them hang on without any closed knots, and a tattered written suicide, as if just to dispose of them. If writers themselves don’t take their creations seriously, why should we?